Mogućnost zabavljanja kod ptica / Do Birds Have The Capacity For Fun?
As humans, we often only think about ourselves - and yet it is not hard to imagine a world without people. Using this notion as a starting point, the performance moves away from anthropocentric (human-centred) theatre and instead creates a ‘theatre of objects'. What does a vacuum cleaner know about life? Day in and day out, we use vacuums and many other gadgets and they, in turn, become silent observers of our existence on Earth. Disposing of these objects when we have had enough of them, we must not forget that they play witness to some of the most important events of our lives. Repurposing these objects as the protagonists, this environmentally conscious production is eco-friendly in its theme, its production process, and its aesthetic form. Today, as we face ecological catastrophes, pandemics, and wars in our daily lives, it is not hard to imagine a world without people. One day, when we eventually disappear from the face of the Earth, the birds will hopefully outlive us - and they hopefully won't forget how to have fun.

Créditos de producción

Tijana GRUMIC, Text Nikola ISAKOVIC, Director Jovana MATIC, Stage Design Ema PAVLOVIC, Stage Design Stevan GOLUBOVIC, Puppet/Object Designer Masa TADIC, Video Animation Momcilo VUJOVIC, Video Editing Mladen MILOJKOVIĆ, Performer / Puppeteer Danilo BRAKOCEVIĆ, Performer / Puppeteer Ana MILOSAVLJEVIC, Performer / Puppeteer Sanja LJUMOVIC, Executive Producer Aleksandar BRADIC, Executive Producer Nenad SUGIC, Photography MCCANN BELGRADE, Graphic Design Ljubomir RADIVOJEVIC, Technical Director Maja JOVANOVIC, Stage Manager DRAGANURKOVIĆ, Lighting Operator Igor MILENKOVIĆ, Lighting Operator Miroljub VLADIĆ, Sound Operator Jugoslav HADŽIĆ, Sound Operator Marta NARANČIĆ, Dresser Goran GAVRANČIĆ, Stagehand Aleksandar MARINKOVIĆ, Stagehand Vladan MILOŠEVIĆ, Stagehand

Sobre los artistas

Nikola Isakovic was born in Belgrade in 1991. He graduated in Directing in 2008, from the Department of Drama Arts at the New Academy of Arts in Belgrade, in the class of Prof. Ljubisa Ristic. He currently lives and works in Prague, where he is attending a Master's programme at DAMU (Academy of Performing Arts Theatre Faculty), Department of Alternative and Puppet Theatre. His work is dominated by combinations of different alternative forms of theatre: immersive, site-specific, participatory, digital, and forum theatre, as well as different forms of puppetry. With his student performances (Don't Play with the Table, Sea Under the Surface, Don Quixote, Leave that Computer Already, and (Non)working Hours) he participated in numerous local and international festivals such as Bitef Polyphony, Proces (CZE), Floating Castle (SLO), Re-Connect (Onl.) etc. His graduation play An Attempted Description of a Work Day (2018, KPGT, Belgrade), with over 90 performers, was selected to be a part of Serbia's performance at the Prague Quadrennial (2019), where he also participated as one of the members of the Student Section. In addition to directing, he is also involved in theatre through drama pedagogy. He has worked in several acting schools (mostly within the ArtBeat Center, where he himself began and developed his first theatrical experiences). He was a participant of the ASSITEJ Serbia 'Next Generation Programme' and of an ASSITEJ Korea online workshop, where he gained and honed his knowledge in the field of theatre of objects. He also volunteered and conducted various workshops at The Kotor Festival of Theatre for Children, Festival of Ecological Theatre (FEP), Bitef Polyphony, Zvezdariste Theatre, etc. He has assisted directors in performances in Atelje 212, Cultural Institution Vuk and National Theatre in Belgrade, while this is his first independent directing debut of a repertoire performance in Belgrade.

Tijana Grumić (1993) is a playwright and dramatist. She graduated as a valedictorian in 2016 from the Faculty of Dramatic Arts, Dramaturgy Department, in Belgrade. In 2017 she received a Master's degree in dramaturgy from the same faculty and is currently a doctoral student of Art Studies. Her dramatic texts were staged in the DADOV Youth Theatre, Vuk Stefanović Karadzic Cultural Institute in Belgrade, Bora Stankovic Theatre in Vranje, Serbian National Theatre in Novi Sad, Cacak City Theatre, Atelje 212 in Belgrade, Kraljevo Theatre and National Theatre in Leskovac. She has worked as a dramatist on projects in theatres across Serbia. Tijana has received several awards for her work, including the Borislav Mihajlovic Mihiz award for overall playwriting, which is awarded by the Serbian Reading Room in Irig and the Borislav Mihajlovic Mihiz Fund.

Información publicitaria

  • DIRIGIDO A
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  • CLASIFICACIÓN DE EDAD
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  • MOTIVO DE CLASIFICACIÓN
  • NOMBRE
    Novi Sad Youth Theatre: Big Stage B
  • UBICACIÓN
    Ignjata Pavlasa 4, Novi Sad, Serbia
  • DIRECCIONES
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  • INFORMACIÓN DE ACCESIBILIDAD
    Wheelchair ramps are available throughout and there is a lift to get up the staircase.
  • DIRECCIONES PARA SILLA DE RUEDAS
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Idioma Principal
Serbian
Información de accesibilidad
Formato del evento
On Ground Only