Contemporary Dance Art for Young Audiences is at an early stage of development. In conversations about Dance productions, colleagues often demand a conversation about quality and express the need for an exchange on dramaturgy - but it does not seem clear what exactly should be talked about. Existing reflections and discussions are limited to just a few often repeated topics, such as the “abstract vs. narration” debate, or how Dance dramaturgy links to Theatre-based dramaturgy. Working in Dance for Young Audiences means grappling with seemingly unorganised and unprocessed questions about methodology, self-image, working methods, transferability of other discipline’s bodies of knowledge, and the specifics of Dance as an Art form (can Dance be made specifically for young audiences or is dance ageless?). We want to initiate a conversation about these topics. We start with sharing our questions and our different approaches: How do you work? Are there Dance or other traditions you refer to? What is your understanding of dramaturgy? Do you need a dramaturg to work with? Doing so will help us to get to know each other and to broaden our collective perspectives.

Créditos de producción

Información publicitaria