Nikola Isakovic was born in Belgrade in 1991. He graduated in Directing in 2008, from the Department of Drama Arts at the New Academy of Arts in Belgrade, in the class of Prof. Ljubisa Ristic. He currently lives and works in Prague, where he is attending a Master's programme at DAMU (Academy of Performing Arts Theatre Faculty), Department of Alternative and Puppet Theatre. His work is dominated by combinations of different alternative forms of theatre: immersive, site-specific, participatory, digital, and forum theatre, as well as different forms of puppetry. With his student performances (Don't Play with the Table, Sea Under the Surface, Don Quixote, Leave that Computer Already, and (Non)working Hours) he participated in numerous local and international festivals such as Bitef Polyphony, Proces (CZE), Floating Castle (SLO), Re-Connect (Onl.) etc. His graduation play An Attempted Description of a Work Day (2018, KPGT, Belgrade), with over 90 performers, was selected to be a part of Serbia's performance at the Prague Quadrennial (2019), where he also participated as one of the members of the Student Section. In addition to directing, he is also involved in theatre through drama pedagogy. He has worked in several acting schools (mostly within the ArtBeat Center, where he himself began and developed his first theatrical experiences). He was a participant of the ASSITEJ Serbia 'Next Generation Programme' and of an ASSITEJ Korea online workshop, where he gained and honed his knowledge in the field of theatre of objects. He also volunteered and conducted various workshops at The Kotor Festival of Theatre for Children, Festival of Ecological Theatre (FEP), Bitef Polyphony, Zvezdariste Theatre, etc. He has assisted directors in performances in Atelje 212, Cultural Institution Vuk and National Theatre in Belgrade, while this is his first independent directing debut of a repertoire performance in Belgrade.

Tijana Grumić (1993) is a playwright and dramatist. She graduated as a valedictorian in 2016 from the Faculty of Dramatic Arts, Dramaturgy Department, in Belgrade. In 2017 she received a Master's degree in dramaturgy from the same faculty and is currently a doctoral student of Art Studies. Her dramatic texts were staged in the DADOV Youth Theatre, Vuk Stefanović Karadzic Cultural Institute in Belgrade, Bora Stankovic Theatre in Vranje, Serbian National Theatre in Novi Sad, Cacak City Theatre, Atelje 212 in Belgrade, Kraljevo Theatre and National Theatre in Leskovac. She has worked as a dramatist on projects in theatres across Serbia. Tijana has received several awards for her work, including the Borislav Mihajlovic Mihiz award for overall playwriting, which is awarded by the Serbian Reading Room in Irig and the Borislav Mihajlovic Mihiz Fund.